Create a separate, high-end design poster for each photo I’ve uploaded—do not combine multiple images; output each photo individually. Use a 3:4 portrait composition overall, with the top and bottom sections strictly maintaining a 1:1 height ratio, each occupying 50% of the frame. The upper half should retain the original photograph, preserving the subject’s identity, structure, pose, authentic texture, natural lighting and shadows, and original color palette. Apply only subtle, sophisticated color grading to give it the aesthetic of an art magazine, independent publication, or contemporary exhibition image. To fit the aspect ratio, the background may be naturally expanded, but the subject must not be stretched, distorted, replaced, or altered. The lower half extracts the most recognizable elements of the subject—including its contours, structure, posture, proportions, and narrative relationships—and reconstructs them into a geometric, modular illustration. Do not replicate the photograph in its entirety, nor depict it realistically. Instead, eliminate irrelevant details and retain only the visual elements that best represent the subject’s identity and character. Reconstruct the image through geometric abstraction, overlapping shapes, modular forms, and collage-style composition, allowing viewers to instantly recognize the correspondence between the photograph above and the illustration below. The overall design emphasizes blocks, modules, geometric division, and large cohesive planes. Geometric divisions should not be overly fragmented or cut into numerous small pieces. Instead, subjects should be organized using fewer, larger, and more complete rectangles, squares, rounded squares, ellipses, triangles, circles, and irregular organic shapes. Preserve the essential visual characteristics of the original subject while translating them into a sophisticated graphic language. Figures may be rendered with square faces, distinct jawlines, and block-like facial features. Architecture may be transformed into square volumes, facade divisions, rhythmic openings, and structural transitions. Animals, plants, objects, food, and landscapes should similarly be distilled into bold geometric forms. Use a premium contemporary editorial aesthetic, balancing photography and graphic abstraction. Maintain strong visual harmony between the upper photographic half and lower illustrated half through composition, proportions, shapes, textures, and color relationships. Absolutely no text, typography, letters, words, numbers, captions, slogans, logos, labels, signatures, or graphic lettering anywhere in the final poster. The design must communicate entirely through imagery, geometric forms, composition, color, and visual storytelling.
