旅行照復古雜誌封版 — 絲網印刷檔案海報

Using my uploaded photo as the sole scene reference, create a 3:4 vertical side-by-side editorial layout. The composition is divided into two continuous sections: The top section features the original photo spreading across the full width. The bottom section features a small hand-printed silkscreen scene illustration with monospace typewriter English archive text on warm ivory paper. [Upper Section: Original Photo] Occupies roughly 42%–45% of the overall canvas height. Display the uploaded photo with a full-bleed cover layout: the photo must stretch from the far left to the far right, touching the top edge with zero white borders, frames, drop shadows, or margins. Preserve the photo's original aspect ratio without distortion. You may subtly crop outer edges to fit the area, but preserve all primary subjects and landmarks. Retain the authentic photo directly without stylizing, redrawing, or applying filters. [Section Transition] The bottom edge of the upper photo connects directly with the lower ivory paper without dividers, borders, shadows, tape, or 'Before/After' labels. [Lower Section: Warm Ivory Paper] Occupies roughly 55%–58% of the canvas height, using warm ivory paper showing authentic paper fiber and ink-absorbing texture. In the upper-center area of the paper, place a compact, freestanding hand-drawn silkscreen illustration distilled from the photo above, occupying roughly 55%–65% of the canvas width with generous clean ivory negative space on all sides. [Scene Extraction Method] Select 4–7 most recognizable objects or subjects from the photo that define the scene's character. Omit vast background walls, ceilings, skies, and repetitive clutter. Maintain their relative spatial relationships, sizes, and overlaps so the illustration clearly echoes the photo above. [Silkscreen Print Style] Render outlines with rough charcoal black ink showing handcrafted imperfections: fuzzy edges, intermittent ink starvation, ink pooling at corners, and slight hand-drawn asymmetry. Strictly flat color fills without gradients, shading, or 3D effects. Beyond charcoal black, use only 4 spot color inks: Ochre Gold, Terracotta Orange, Olive Green, and Indigo Blue, matched faithfully to the subjects' dominant hues. Spot colors exhibit subtle halftone mesh texture and deliberate, restrained misregistration against the black ink outlines. [Bottom Archive Typography] In the negative space below the illustration, near the bottom, align a 4-line left-aligned monospace typewriter English archive block: {PLACE NAME} / No. 021 / {KEYWORD} / {KEYWORD} / {KEYWORD} / 2026. Replace {PLACE NAME} with the location name and {KEYWORD} with three short descriptors. No other text, borders, stamps, or logos.

以我上傳的照片為唯一場景依據，製作一張豎版 3:4 的上下對照編輯畫面。畫面分為上下兩個連續區域：上半部分是鋪滿寬度的原始照片；下半部分是象牙白紙上的小幅絲網印刷場景插圖與英文檔案文字。【上方原始照片】上方約占整張畫面高度的 42%–45%。將我上傳的原始照片以 full-bleed 全出血方式鋪滿上方區域：照片必須從畫布最左側延伸到最右側，並貼緊畫布頂部。照片的頂部、左側和右側均不留白，不添加白邊、邊框、相框、陰影或紙張底色。保持照片原始寬高比，禁止拉伸變形。使用 cover 方式填滿整個上方區域；如果原圖比例與上方區域不同，可以對照片邊緣進行少量裁切，但必須完整保留主要人物、動物、建築或其他核心主體，不得裁掉關鍵內容。上方必須直接保留上傳的原始照片，不重新繪製，不插畫化，不改變人物、物件、動作、顏色、光線或場景，不增刪元素，不添加濾鏡。【上下區域銜接】上方照片的底邊直接與下方象牙白紙區域相接。兩部分之間不留白，不添加分割線、描邊、陰影、撕紙邊緣、膠帶、箭頭或 Before / After 標籤。通過真實照片與象牙白紙材質的自然變化形成清晰分區。【下方象牙白紙】下方約占整張畫面高度的 55%–58%，背景是一整塊溫暖的象牙白紙，可見細微、真實、自然的紙張纖維和吸墨紋理。在紙面中央偏上位置，放置一幅從上方照片中提取出來的小型手繪絲網印刷插圖。插圖不要鋪滿下方區域，插圖整體寬度約占畫布寬度的 55%–65%，作為一個緊湊、完整的小型場景組合水平居中。插圖四周保留大量乾淨的象牙白留白。【場景提取方式】從原照片中選擇 4–7 件最有辨識度、最能代表場景性格的主體和物件。省略完整的牆面、天花板、地面、天空及其他大面積背景結構，也省略雜亂、重複、細碎或缺少辨識度的小物件。保留所選主體和物件在原照片中的相對位置與前後遮擋。【絲網印刷風格】使用炭黑色粗糙墨線，呈現真實的手工絲網印刷質感：線條邊緣毛糙起刺、局部斷線缺墨、轉角墨水積聚溢出。不使用排線、漸變或陰影。除炭黑外，只使用四種專色油墨：赭石金、赤陶橙、橄欖綠、靛藍。彩色色塊與炭黑輪廓之間存在肉眼可見但克制的輕微套色錯位。【底部檔案文字】在插圖下方靠近頁面底部位置，左對齊排一小塊等寬打字機風格的英文檔案文字（共四行）：{PLACE NAME} / No. 021 / {KEYWORD} / {KEYWORD} / {KEYWORD} / 2026。將 {PLACE NAME} 替換為指定地點名稱，將三個 {KEYWORD} 替換為概括原照片場景的英文關鍵字。除此之外不出現任何其他文字、邊框、郵票或裝飾元素。